So you’re mad online about whatever Game of Thrones did last episode. I don’t watch the show but it’s all over my timeline right now, and from what I can tell there seem to be three or four major complaints you have about this show that you keep watching only to complain about.
Here’s a quick little list to help you find something that might be more to your taste. So which bolded statement did you tweet out on Sunday?
Characters are doing things that make no sense. Hunger Makes the Wolf, by Alex Wells.
Instead of people doing things just to make a plot happen, why not read a scifi/fantasy novel where they act on very familiar motivations: class struggle? Wells’ novel follows a backwater mining world trying to fight off the megacorp who’re exploiting its people. Yes there’s a badass fire-witch, but she knows no amount of magic can help her stand up to corporate bureaucracy without a union backing her.
It apparently doesn’t take time for characters to travel anywhere now? The Year of Our War series, by Steph Swainston.
One of the major plot points of the second book is that characters are stuck for literally months on a ship traveling overseas while there’s civil wars and insect invasions they can’t lend a hand with. Outside of this refreshing nod to realism, Swainston’s series has battle scenes that are equally brutal to ASoIaF’s while criticizing its own government and heroes with gleeful abandon. I read the first book nearly ten years ago and can’t get over how relatably hateable Jant is.
I can’t say “slay kween” as a compliment anymore. Winterglass, by Benjanun Sriduangkaew.
You probably shouldn’t have been using that phrase in the first place? But regardless, there are better-developed, better-fighting female protagonists you can read about. Nuawa is a gladiator intent on assassinating the Winter Queen who’s conquered and oppressed her homeland. Kind of the opposite of Daenerys, and with all the heinously problematic elements replaced with evocative prose and a deft approach to worldbuilding.
This was supposed to be subversive but it’s ultimately just retreading the same tired fantasy ground while posturing about it. Viriconium, by M John Harrison. Or The Etched City, by KJ Bishop. Or The Narrator by Michael Cisco. Or or or…
Authors have been subverting all that stuff for about forty years. It’s not hard to find if you look beyond pop culture.